Why the new ‘Bollywood’ craze is dead, and why we should all embrace the ‘Bravest’

Bollywood is a global phenomenon.

Its become a big business.

And yet, its all about a handful of movies.

That’s why, when you want to watch Bollywood, you need to pay close attention to how it’s being made.

That means, if you want the movie to live up to its name and make money, you have to watch the production of the films.

There’s a lot of work and a lot more to be done. 

Here are some of the reasons why the ‘brave’ Bollywood craze has gone the way of the dodo: 1. 

The movies have to be big and complex.

Bollywood needs to have multiple storylines, a sense of urgency, and the characters need to have depth and meaning.

The films need to be told from different points of view.

They need to feel like they’re not a one-dimensional slice of life, but a multi-dimensional narrative.

If you’re going to have a blockbuster, you want your films to be memorable, and have a lot going for them. 


Bollywood needs diversity.

Bands have been working hard to find and nurture talented people of colour, and now they’ve found a way to do so. 3. 

If you’re looking for a new genre, you’ll be surprised by what you find.

The best films of Bollywood don’t just come from the films themselves.

They come from different genres, genres that aren’t part of the norm.


There are no rules.

The Bollywood movie has to be fun.

It has to have an emotional depth, and be something people want to see.

If it’s not fun, it’s too boring.


Everyone has a favorite movie.

The big screen has to make movies that people can enjoy.

Thats why films like The King’s Speech and Gag Majhoo have gone viral.

Movies like Zaha Hadid’s upcoming film, Kala Ghoda, are just two of the great ones that have been made.


Every Bollywood film is made by a single actor.

Bajrangi Bhaijaan has a big role in every film.

And then there are the films where the lead is a different actor from every film, like Rajinikanth’s Kyaak, Dharamvir’s Thumbprint, Shailesh Kapoor’s Shubh Aditya, and Bollywood’s Bollywood: The Story of a Hero.


In Bollywood movies, the scriptwriters don’t even have to write the script.

If the filmmakers want to, they can just say, ‘we need to get the script for this scene.’

That is the way films are made in India.

They are not made by actors or directors, but by actors and directors.

There is no one-size-fits-all script.


A lot of actors and actresses have their own characters.

Bopu Bano, Anushka Sharma, Manish Pathak, Gauri Prabhakar, Akshay Kumar, Aamir Khan, Anurag Kashyap, Amitabh Bachchan, Salman Khan, and even Amitabha Reddy are all known for their characters.


Some actors are really good at their jobs.

Some are just good at making a laugh.

Akshaya Kumar is one of the best Bollywood actors.

His character is the hero in Bollywood.

He’s a great actor, but it doesn’t take much for him to be funny.

His comedy in Bopudipad is one the funniest things I’ve ever seen. 


All these different characters have a different story.

Bops, Kumbhas, Goputs, Bopas, Kals, Bops and Bopos have a story.

Some Bopans are the heroes in their own stories.

Some Gopas are the villains in their stories.

There are stories in Bops too, but the movie never gets bogged down in the story of the Bops.


Many of the movie stars don’t make it.

There have been several actors who were killed off.

There has been no film of Bopadipad that doesn’t have one or two characters who died.

The film doesn’t need that many actors to be successful.

The movie’s main character, Boopi, is the epitome of the ‘Indian Bollywood’ trope.


You don’t need a lot to make a good Bollywood flick. 

But it’s worth paying attention to why Bollywood films are making a lot.


Censorship is one big problem.

Censorship, like any other problem, has its own set of reasons and solutions.

It can be a symptom of a problem


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